Winter Beach

The tunnel of winter is settling over my life, ushered in by that great official delude, the end of daylight savings time. If it were up to me California would stay on standard time all year long. The only thing good about sunlight petering out before the afternoon is done, is that I can move freely outside without a hat and without sunscreen. But since it’s not up to me, I only vow each winter to get my soup-making vegetables chopped before I lace up my tennis shoes and head outside for an afternoon stroll. 

A high tide will roll in soon. The ocean grows wild off-season, waves pounding the shoreline, claiming the sand, crashing over the rocks. With sunlight fading, my thoughts turn to the moon, a waning crescent now. Pinpointing changing seasons, ebb and tide. 
 
No matter what the clock might say, at my house dinner time falls soon after sunset and soup-making is a category of cheer I especially enjoy in the winter after the daylight stealing incident. 
 
Tonight, I’m making a pot of autumn vegetable soup with late season San Marzano tomatoes plucked from spent vines in our family garden, along with farmer’s market zucchini, carrots, butternut squash and sweet potatoes—red garnet, orange Covington, purple Murasaki. Celery, onion, plenty of flat leaf parsley. I season the soup with Herbes de Provence, and it simmers in a rich chicken broth I’ve pulled from the freezer. 
 
Winter is also the best time for re-reading. Along with the collection of new books I’ve gathered, The Hidden Lives of Owls, Braiding Sweet Grass, Reasons to Stay Alive, Crying in the H Mart, Beautiful Country, The Vanishing Half. I will also pull old favorites from my shelves, Animal, Vegetable, Miracle, Gathering Moss, Tending the Wild, and spend time with stories that leave me feeling as if the author has invited me over for a long chat at her kitchen table. I also favor memoirs and essay collections so intimate I imagine myself leaning over the shoulder of the writer, feeling her thoughts. As winter deepens, I will reread pages from Crazy Brave, Claiming Ground, SafeKeeping, H Is for Hawk. 
 
In the past I have always read one book at a time. When I’m finished with one, then I begin another. Yet now that I have a much smaller home to maintain, without any yard work, less household chores to do, and with few friends living nearby, I have more time for cooking and reading, and I’m making up for those lost years when I had little free time to read. Lately my new pattern is to have two books going. Something informative, deep learning, mind expanding, or soul stretching, and a mood catching book, inspirational or a quirky niche topic that grabs me. 

I don’t always succeed at managing to keep two going. Often, I get swept away and read one or the other all the way through to the end. This is what I thirst for, I realize, is for my reading life to have a natural balance, with an easy unforced rhythm, like soup-making. 
 
When my potatoes are sending pale feeders out into the world, a lone onion remains, the garlic is at the end of a long skinny empty braid, and the vegetable drawer in my refrigerator is full, with freshness dwindling, I gather the goods, and get to chopping, the scents and flavors drawing me in.

I’m pretty fanatical about emptying the fridge before grocery shopping again and starting over. A quick inventory found leeks, and my thoughts began to hum to the tune of potato leek soup for tomorrow. But then I saw we had plenty of basil and zucchini, and the next thing I knew I was transported, and began making plans for Ina Garten’s Zucchini Basil Soup, with good olive oil, fresh ground nutmeg, Parmesan and red pepper flakes. There is a bottle of good dry white wine, for the recipe-required 1 cup for the soup, and a glass for me to sip while the soup simmers. 
 
I’m both settled in, and not settled into my new home space and new community. With everything all around me starting to feel familiar, but not yet intimate, reading and soup-making keep me feeling connected, grounded, centered, while I am beginning to root in, while this new landscape teaches me who I am.

When you write, you lay out a line of words. The line of words is a miner’s pick, a wood-carver’s gouge, a surgeon’s probe. You wield it, and it digs a path you follow. Soon you find yourself deep in new territory. Is it a dead end, or have you located the real subject? You will know tomorrow, or this time next year. —Annie Dillard


We Who Walk the Seven Ways is Terra Trevor’s memoir about seeking healing and finding belonging. After she endured a difficult loss, a circle of Native women elders embraced and guided Trevor (mixed-blood Cherokee, Lenape, Seneca, and German) through the seven cycles of life in Indigenous ways. Over three decades, these women lifted her from grief, instructed her in living, and showed her how to age from youth into beauty. 

With tender honesty, Trevor explores how every ending is always a beginning. Her reflections on the deep power of women’s friendship, losing a child, reconciling complicated roots, and finding richness in every stage of life show that being an American Indian with a complex lineage is not about being part something, but about being part of something. 

University of Nebraska Press | Barns & Noble| Bookshop & IndieBound Amazon

“Terra Trevor’s memoir is a gentle invitation to journey with her across decades, an invitation to notice with her as she seeks healing and finds belonging. There were phrases and sentences I underlined, places where I wept, passages that will remain with me as they drew me to insights I’d previously struggled to name. I closed the final pages and knew that in reading this book, I had been the recipient of a generous and much-needed gift. While I can certainly finish a book in a day, I chose to move slowly through this one, letting each idea, each paragraph, each reflection gently spill over me, allowing the pages to alter me in some way.” —Patrice Gopo, author of Autumn Song: Essays on Absence

 "Terra Trevor’s Pushing up the Sky is a revelation of the struggles and triumphs packed into the hyphens between Korean and Native American and American. From her, we learn that adoption can best be mutual, that the adoptive parent needs acculturation in the child’s ways. With unflinching honesty and unfailing love, Trevor details the risks and heartaches of taking in, the bittersweetness of letting go, and the everlasting bonds that grow between them all. With ‘Pushing up the Sky’, the ‘literature of adoption’ comes of age as literature, worthy of an honored place in the human story." —Robert Bensen, editor of Children of the Dragonfly: Native American Voices on Child Custody and Education