Race, Ethnicity and My Face
Love and Fireflies
When we were teenagers, I wanted to look like her. Especially on that summer day in 1966. While I held in my stomach, wearing a one piece, she ate fry bread wearing that brown string bikini, tan skinned and thin, like a Pocahontas Barbie.
It was as if Debbie had one long leg in each world that summer, as if she were climbing out of childhood and stepping into womanhood.
She leaned over and whispered that Richard Rustywire asked her to go steady. I had my eye on Johnny Drinkingwater.
Later that afternoon, after we left the public pool, known as the Plunge, Debbie and some of the others went in to town, while I went back to auntie's house and sat on the porch swing, reading, waiting for a cool breeze and the moon to rise. The fireflies came out, white beads of light, flashing off and on all over the yard. And it was the way I always wanted to remember a summer night—the night of fireflies and my first kiss.
While I was sitting on the porch reading, Donny came over. I’d had my eye on him all afternoon too. Donny he kissed me in the moonlight, behind Auntie’s clothesline, between the sheets. We stood barefoot, toes touching, arms entwined. His eyes searching mine, while his blond hair blew across my face. His voice cracked when he asked, “Is this the first time you’ve been kissed?"
As we stood together under a spirit sky, with purple violets blooming in my mind, I answered “No.” But I was thinking “Yes.” Because the kiss I gave to Johnny Drinkingwater didn't count after he lost interest in me, after he found out that I was an Indian girl.
In a sorrow-filled voice his sister said, “I don’t know why, but my brother only goes out with white girls.” But her brother wasn’t white and I wasn’t white enough for him. Me—a high yellow mixed-blood girl, with olive skin so light.
So the way I saw it was that I was starting out again. And this time, this boy, wasn’t disappointed that I wasn't a white girl and he wasn't trying to have some kind of sexy Indian princess fantasy evening, all impressed by the fact that I was an Indian girl, which was something Debbie had to deal with all the time when she dated white boys. And... in that malachite moment Donny was just kissing ME.
For Donny
September 5, 1952 - June 12, 2008
Thank you for sweet memories in the summers of 1966--1968.
Tangled Thoughts
Today my thoughts are heavy saddle bags. I walk with my dog at my side, in the privacy of the wind, thinking about a workshop I was invited to attend, where I was asked to speak about being bicultural and what it is like for me living as a mixed-race person and calling two cultures home.
I’m walking faster than usual this morning. I need to wrestle down my thoughts holding me hostage. About the first day of the workshop, within the first hour, shortly after we received our orientation session and “before” the workshop began, we were given an icebreaker assignment. Asked to pair ourselves with someone we didn’t know. We were given a topic and asked to take turns and give each person five minutes to talk on the topic.
The white woman I partnered with went first. When it was my turn, something I said triggered this woman to begin asking me a series of rapid fire, deeply personal, questions. Each time I answered she fired yet another question and I found myself explaining that I didn’t grow up in a white community setting. Why not? She asked. Where did you live? When I said Southeast Los Angeles and began to explain she interrupted and said, But you don’t look like you are Native American. And you didn’t grow up on a reservation. How much Indian are you? She was asking me to tell her my blood quantum. It's an inappropriate question. Indian Blood Quantum laws in the United States and the former Thirteen colonies were used as a tactic to reduce the number of Indians and Native Nations and resulted in forced assimilation.
So, what you really mean… She said next. But I didn’t hear what she said. By now I could feel my hackles going up.
This scene and similar scenes play out thousands of times, over and again for me and for my brown skinned family members and friends, by white peers who think they know our lives and our lived experience better than we do.
My mind began to unsheathe my tomahawk. I wanted to chop her words to bits. Instead, I did what I always do when this type of micro aggression happens. I shut down. I could feel myself shrinking, getting smaller and smaller, fading away.
But her next statement startled me alert. She said. "What you mean is that you have some Native American ancestry, now I understand.”
But she didn’t understand anything at all. I grew up with my Indian ancestors, we sat down together for dinner every night. Grandma sewed beadwork on uncle Elmer’s deer skin leggings and my cute aunt Lydia, with her beautiful black hair, cried because the white men at work called her a squaw.
Suddenly, I felt a deep place inside me, rise. Immediately I was able to pull myself into the moment, into what was happening all around me. From a corner in the crowded room I saw a friend, a close friend. Her face tender, concerned and staring right at me. I began telling myself to stop shutting down. Climb out, I demanded of myself. This was my opportunity to learn a better way to deal with micro aggressions. It was painful but I stayed open. When the two-day workshop ended I felt something inside me stand taller in mixed-race America where nothing comes easy.
By the time I’ve walked the first mile, my morning thoughts are untangled. I look up at the sky; the sun is covered with high gray clouds. I shrug my shoulders and tighten my cinch on yesterday. The air is filled with birdsong and my dog is panting happily. Then I make the decision to set my weary thoughts free. In the second mile of my walk only the colors emerging in the scrub oak and the smell of mountain sage call me. Call me home.
I feel like I have been carrying a weight around that I’ve inherited
When I was twelve I remember my grandpa lifting up my chin with his rough brown hand, and he said, “Sometimes it’s better not to claim you’re Indian.”
Understand, he could well remember the warnings, the fear, after the U.S. Congress passed the "Religious Crimes Code." This code forbid Indian people to hold religious ceremonies or conduct prayer. Parents were forbidden to teach their children our customs and traditions. Anyone who did these things could be put in jail.
Basically it was against the law to be Indian, and the law required American Indians be made over in the image of white Americans.
Under colonial occupation, Native communities across the Americas endured devastating historical circumstances now recognized as genocide.
For those who are wondering how these things happened, look at your community members and neighbors and pay attention to their values. Pay attention to your own values.
You also might say there is no way something similar could happen again. History proves otherwise. We are standing in an unprecedented moment in America and world history, and Americans will all pay the price (and be judged) by how we respond.
“I feel like I have been carrying a weight around that I’ve inherited. I have this theory that grief is passed on genetically because it’s there and I never knew where it came from. I feel a sense of responsibility to undo the pain of the past. I can’t separate myself from the past, the history, and the trauma. It has been paralyzing to us as a group.”
--A Dakota/Lakota woman (Brave Heart & DuBruyn 1998)
The ways of white folks, I mean, some white folks
Sometimes the only cure, with all the blackening and whitening and out Indian-ing, the othering and the whitesplaning all around, trying to dominate— is a long sit with Langston Hughes wrapping his words around me, like a dance shawl in flight.
With tender honesty, Trevor explores how every ending is always a beginning. Her reflections on the deep power of women’s friendship, losing a child, reconciling complicated roots, and finding richness in every stage of life show that being an American Indian with a complex lineage is not about being part something, but about being part of something.
University of Nebraska Press | Barns & Noble| Bookshop & IndieBound | Amazon
“Terra Trevor’s memoir is a gentle invitation to journey with her across decades, an invitation to notice with her as she seeks healing and finds belonging. There were phrases and sentences I underlined, places where I wept, passages that will remain with me as they drew me to insights I’d previously struggled to name. I closed the final pages and knew that in reading this book, I had been the recipient of a generous and much-needed gift. While I can certainly finish a book in a day, I chose to move slowly through this one, letting each idea, each paragraph, each reflection gently spill over me, allowing the pages to alter me in some way.” —Patrice Gopo, author of Autumn Song: Essays on Absence





