I am gathered with friends and family under a bead blue sky. Powwow weekend. Santa Ynez Chumash Inter -Tribal. My shawl is folded over my arm. I listen to the wind, spilling through the tree leaves. Time merges with timelessness. Memories circle and carry me to a day thirty years ago, when I stood on this good land, near the oak tree for the first time, with my young children gathered about.
The same tree I am standing under today. I lean my back against this oak. This tree, giver of life. She has raised a community with song, dance and prayer. We return to this land, to this tree, in October every year. Laughter, flirting and romance in lives young and old take place all around her. She stands sentry. Her autumn softened leaves, swept up from a cool mountain breeze, fall gently on American Indian fathers holding sleeping babies. Mothers trading stories, their shiny cut beads reflecting light while braiding their children’s hair, with feathers in the colors of the earth, trailing.
There were difficult times too for this oak tree, when she witnessed wild fires raging, drought years with dust rising against the clear sky. The times when her branches sheltered human arguments and angry outbursts, but mostly she is surrounded by love and caring.
I stand high upon a flat rock, my eyes roaming, taking in the day, the years. Filling my lungs with sweet fragrances of the damp Mother Earth. Feeling my body grow light, like the feathers of the red tail hawk touching the soft clouds.
For the record I am not California Indian. I'm an Indian born in California, and for the past forty years I have lived near a creek in an area that made up the traditional Chumash homeland. I'm walking gently, a guest on this good land, and I hold the culture, traditions, and the of the Chumash people in my heart. For my Chumash friends this is their landscape of time.
I remember the words of my aunties and grandmothers, about how each person is a link to history and that when it comes to powwows all Native people gathered around the arena are participating as we form a circle around the drums, singers and dancers. And how every American Indian person at the powwow is connected, making a statement that American Indian people are still here. This is our celebration of life past, present and future.
First published in the Spring 2019 issue of News From Native California
Still smiling from the weekend powwow with two good friends. He is Navajo, a dancer. She is Zuni, and both are Elders. They met when they were fifteen years old and they danced at powwows together, then they lost touch for fifty years. Five years ago they reconnected, discovered that they were both single, and now they are together.
Good love story, and a fun weekend with them.
The kids in my creative writing class began asking me many questions about Indians. Some said they had few opportunities to meet and talk with American Indian people. Their quest for a deeper understanding, developed into an idea to take them to a Powwow, and lead them into a day of drumming, dance and regalia.
While we planned our journey, the children, teachers and
parents asked thoughtful questions, allowing me the opportunity to share my perspectives on the importance of dismissing stereotypes. I helped them understand many of the old photographs we see in books are only pictures, and that even in the olden days many American Indians didn’t live the way they looked in the photos.
I explained that when American Indian people are compared to these old photographs and stereotypes outsiders often tell us we don’t look Native American. I wondered how we might counter this predominant notion and change the way Native Americans are viewed in popular culture.
My inspiration came from Project 562: Changing The Way We See Native America by Matika Wilbur, which creatively addresses and remedies historical inaccuracies, stereotypical representations, and the absence of modern-day Native American images and voices in mass media, and the national consciousness.
Attending our local community powwow as a group, would help the children counter stereotypes and increase their understanding of what it means to be Native American in America today, and place new authentic and accurate images in their minds.
By no means do I believe I am an expert regarding powwows, or have expert knowledge of Native American people. Learning is a lifelong pursuit. But I could offer a starting point, so the children could begin to learn more about Native peoples.
The day before we traveled to the powwow I sat down with the children and with their parents, and explained that powwow is a modern-day word. Before the First World War they were called gatherings. After the food was gathered and stored for the hard winter months and when the work was all done they gathered. After World War I these “gatherings” were held to honor those servicemen who came back.
Today a powwow is a reunion for many Native families, clans and tribes spread apart in different cities or reservations. There is the exchange of news, ideas, song, and dance, Native fashion, style and art, and it’s a time when Native people reflect on traditions.
I told the kids that while it was fine for us to laugh and tell jokes all morning, but when the powwow began we needed to be quiet and listen to the arena director and the master of ceremony. I explained we should be careful to sit a safe distance away from Eagle feathers and dance regalia, and that we could not touch anything belonging to the dancers.
First there was the Ground Blessing. Then the flag bearers came in with the American flag, the state flag and an Eagle Staff. The Grand Entry began, the dancers representing many different tribes.
After all the dancers were in the arena a Flag Song was sung, then a prayer was offered, followed by a Victory Song.
After the Victory Song ended, I asked the children if they could feel the heartbeat of the drum. The drum, I explained, was one of the oldest memories an American Indian has, it has always been with us, and is the single most important element of a powwow.
In the arena hundreds of people wearing soft moccasins were dancing. Men, and women carrying babies, boys and girls, and the elders who barely move, stayed close to the earth.
I explained how the dance arena or arbor is sacred and is respected, like the inside of a church and that many Native families traveled hundreds of miles to attend powwows across the continent to share the renewal of traditions. And how for us it brought a long heritage back into the framework of real life.
I told the kids how my Auntie always said each person had her or his own personal reason for dancing, drumming, singing and for being present at a powwow. She said the people gathered around the arena were not only watching—we were participating as we formed a circle around the drums, singers and dancers.
Throughout the day I ask the children to close their eyes and listen to the drums, and to imagine what it might have been like two hundreds of years ago.
Multiple times I took the children to meet my friends, so they could have an opportunity to see and talk with American Indian fathers holding sleeping babies, and American Indian mothers laughing, while braiding their children’s hair. I want them to see happy Indians laughing and joking with each other. Humor is an important American Indian cultural trait. We believe it is of key importance not only to laugh, but also be able to laugh at ourselves. I wanted the kids to see American Indian children laughing, eating popcorn, being silly and playing the same games all children play. Then they had an opportunity to see those same children change into their dance regalia, have their hair braided, faces painted, become serious, quiet and focused, and prepare to dance.
I wanted to provide stepping-stones for the children so they could begin to see American Indian people have respect for our traditional ways, and that we are also real people too, who drive cars, and work as doctors and teachers. To show the children that American Indian mothers and fathers are also regular moms and dads, who cook dinner, help their children with their homework, play baseball, and go out for pizza.
Most of all I wanted the children to understand Native Americans are Native Americans, even when we are not dressed in beadwork and feathers. I told the kids we are here to honor the past and be proud of our future. I shared with them the stories my aunties have told me about how each person is a link to history, and when it comes to powwows some Native people chose to become drummers, others become dancers, but even those of us who are watching and listening, every person at the powwow is part of the circle.
If you have never attended a powwow or would like to learn more, click here to read my post at Matador Network explaining everything you need to know.
When you write, you lay out a line of words. The line of words is a miner’s pick, a wood-carver’s gouge, a surgeon’s probe. You wield it, and it digs a path you follow. Soon you find yourself deep in new territory. Is it a dead end, or have you located the real subject? You will know tomorrow, or this time next year. —Annie Dillard
We Who Walk the Seven Ways is Terra Trevor’s memoir about seeking healing and finding belonging. After she endured a difficult loss, a circle of Native women elders embraced and guided Trevor (mixed-blood Cherokee, Lenape, Seneca, and German) through the seven cycles of life in Indigenous ways. Over three decades, these women lifted her from grief, instructed her in living, and showed her how to age from youth into beauty.
With tender honesty, Trevor explores how every ending is always a beginning. Her reflections on the deep power of women’s friendship, losing a child, reconciling complicated roots, and finding richness in every stage of life show that being an American Indian with a complex lineage is not about being part something, but about being part of something.
University of Nebraska Press | Barns & Noble| Bookshop & IndieBound | Amazon
“Terra Trevor’s memoir is a gentle invitation to journey with her across decades, an invitation to notice with her as she seeks healing and finds belonging. There were phrases and sentences I underlined, places where I wept, passages that will remain with me as they drew me to insights I’d previously struggled to name. I closed the final pages and knew that in reading this book, I had been the recipient of a generous and much-needed gift. While I can certainly finish a book in a day, I chose to move slowly through this one, letting each idea, each paragraph, each reflection gently spill over me, allowing the pages to alter me in some way.” —Patrice Gopo, author of Autumn Song: Essays on Absence
"Terra Trevor’s Pushing up the Sky is a revelation of the struggles and triumphs packed into the hyphens between Korean and Native American and American. From her, we learn that adoption can best be mutual, that the adoptive parent needs acculturation in the child’s ways. With unflinching honesty and unfailing love, Trevor details the risks and heartaches of taking in, the bittersweetness of letting go, and the everlasting bonds that grow between them all. With ‘Pushing up the Sky’, the ‘literature of adoption’ comes of age as literature, worthy of an honored place in the human story." —Robert Bensen, editor of Children of the Dragonfly: Native American Voices on Child Custody and Education