My Journey Toward Less

Driving home from the department store I thought about my problem. I wanted to own less clothing. To have only what I loved and needed. 


My desire for a moderately minimalistic wardrobe began six months after my fifteen-year-old son on died. It was 1999, and I was doing laundry. I walked past my son's bedroom, a room that was immortalized with everything in place exactly as it had been when he was alive. 
 
I felt a tiny wave of strength surface, a glimmer of faith bringing me to understand I was ready to begin the process of letting go of his things. But I needed to do it in baby steps. I cleared out a stack of his outgrown clothes. It was the only way my mother’s heart could manage the task. He was fifteen years old when he left this earth, and I let go first of what no longer would have fit him. Slowly, over a period of time, I gave away all of my son’s clothes, keeping only his sweatshirt for me to breath in the scent of him, to bury my face in long nights of remembering.

Next I began tossing things from my own well-stocked closet, giving away good quality clothes that I seldom wore—clothing that no longer fit the newly evolving me. Each month I eyeballed my closet and convinced myself to part with more and more. At the time it didn’t occur to me that I was beginning to walk toward a stress-free lifestyle of owning less. Back then I wondered if maybe my grief and sorrow had taken a dangerous turn. My family also worried about me.

I was forty-six years old, and the gentle, generous part of me that cheers for myself wanted me to have a plentiful wardrobe. But I wanted it to be small, no excess, and only what I loved and needed. At the end of each season I edited my closet, took stock of what needed to be replaced. I removed any neglected items to give to thrift stores or to friends. I was getting to know myself with a new identity. I was a mother without her son, and I craved simplicity, to own less, to be surrounded with beauty and find my rhythm without a lot of clutter.

In addition to my work as a freelance writer, I also worked in a corporate office environment and the majority of my wardrobe centered on work clothes. There was a strict dress code requiring a tailored look with structured jackets. In following the guidelines somewhere along the way I lost my sense of personal style. I had no idea what would be in my ideal wardrobe, so even if I could have tossed everything out and begin anew I didn’t know what I wanted other than for my wardrobe to be smaller and more workable, with everything worn often and loved. But other than that I hadn’t a clue. With frequent editing, although my closet was not bare, it had a forlorn look. My family members encouraged me to shop for new clothes, and I did.

To map out a new me I gathered purples, reds, earth tones, and hues of tan and green. I searched for travel friendly clothes that hinted of a well-used passport and would not wrinkle, versatile clothes that could be accessorized for work, yet casual enough to wear on the weekend. Most of all I wanted clothing I’d feel happy wearing. With my husband and daughter urging me, I began the process of updating my wardrobe. But I always stayed within a careful budget, and never had credit card debit. 

At home I dumped the contents of my shopping bag on my bed—a steel gray sweater to glide over a jersey skirt or to pair with jeans. I cut the tags off, and a few minutes later I tied them back on with a piece of clear plastic thread.

Jenny-dog curled by the door, gave a low growl and the red-brown fur on her neck stood up. Outside I could hear weeds rustling and I grabbed onto the dog’s collar so that she wouldn't move. And that’s when I saw the coyote, young and lean sprint off down towards the creek bed. I scratched my dog’s neck and raked my fingers through her fur and found a flea, and then another. Usually I never forgot to give the dog her medication, but this time I had procrastinated. Without a doubt I knew I must get back in the car and go to the vet’s office and buy what we needed to rid the dog of fleas. And while I was out I could return the sweater.

That afternoon was a marker moment. I didn’t know what, but I could feel something take root within me—an awakening. I was moving further and further away from what I wanted most—to own less. 

From a rocker by the open window I spent the rest of the day watching Scrub Jays dart from branch to branch, until the afternoon shadows melted into liquid dusk, and the wind turned wild. Then I removed the tag and pulled on the new gray sweater, feeling its silky texture against my skin, and I said a vow to keep the sweater, to wear it on any ordinary day, instead of saving it for good, because my life is now.

I sat while the stars, one by one, began to light the sky, and let the chill air of mother earth embrace me. It would take me a few more years to break the habit of saving clothes for good, and to find a community of good people who embrace the concept of happier with less, and to reach the good place where I am now— but that afternoon was a beginning.

© 2014 Terra Trevor. All rights reserved. Photo credit: Randy @ Santa Fe Daily Photo. 

Happier with Less Follow along with me.
When you write, you lay out a line of words. The line of words is a miner’s pick, a wood-carver’s gouge, a surgeon’s probe. You wield it, and it digs a path you follow. Soon you find yourself deep in new territory. Is it a dead end, or have you located the real subject? You will know tomorrow, or this time next year. —Annie Dillard


We Who Walk the Seven Ways is Terra Trevor’s memoir about seeking healing and finding belonging. After she endured a difficult loss, a circle of Native women elders embraced and guided Trevor (mixed-blood Cherokee, Lenape, Seneca, and German) through the seven cycles of life in Indigenous ways. Over three decades, these women lifted her from grief, instructed her in living, and showed her how to age from youth into beauty. 

With tender honesty, Trevor explores how every ending is always a beginning. Her reflections on the deep power of women’s friendship, losing a child, reconciling complicated roots, and finding richness in every stage of life show that being an American Indian with a complex lineage is not about being part something, but about being part of something. 

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“Terra Trevor’s memoir is a gentle invitation to journey with her across decades, an invitation to notice with her as she seeks healing and finds belonging. There were phrases and sentences I underlined, places where I wept, passages that will remain with me as they drew me to insights I’d previously struggled to name. I closed the final pages and knew that in reading this book, I had been the recipient of a generous and much-needed gift. While I can certainly finish a book in a day, I chose to move slowly through this one, letting each idea, each paragraph, each reflection gently spill over me, allowing the pages to alter me in some way.” —Patrice Gopo, author of Autumn Song: Essays on Absence

 "Terra Trevor’s Pushing up the Sky is a revelation of the struggles and triumphs packed into the hyphens between Korean and Native American and American. From her, we learn that adoption can best be mutual, that the adoptive parent needs acculturation in the child’s ways. With unflinching honesty and unfailing love, Trevor details the risks and heartaches of taking in, the bittersweetness of letting go, and the everlasting bonds that grow between them all. With ‘Pushing up the Sky’, the ‘literature of adoption’ comes of age as literature, worthy of an honored place in the human story." —Robert Bensen, editor of Children of the Dragonfly: Native American Voices on Child Custody and Education