The Spaces Between

Early fall is when we have our summer and warmest weather here on the northern tip of the Central California Coast. The season when I never get any serious work done. I should have remembered that from other years. I am in tune with the rhythms of the ocean. High tide rolling in, waves breaking, wind in the pines. Fog softened mornings with the spay of sea mist settling in my hair. The fog horn on the jetty sounding, and the flapping of cormorants as they dip and dive. I have fallen under their spell, and I am flattened by the sea; bare, open, empty. By noon the fog lifts, the sun shining and the day grows warm, high seventies, low humidity with clear nights when I can see the stars and moon.

Early fall is also a brief vacation for me, lifting me from the distractions of everyday life, and my mind is left to its ponderings and brings up its own wisdom. For the past year I’ve been feeling called. Craving a sabbatical, but I didn’t carve out time. I have little free time because I give my time away. And I am focused, aware my reserves are not limitless, and where I put my time matters. I feel my grandkids youth slipping between my fingers like water. It won’t be long before they are grown, off on their own, then free time will return to me. 

Still, somehow the sabbatical came to me. I found myself with an opportunity to be alone for a week. Blessed solitude. Instead of writing and reading, or trying to get anything done, I stayed still, listening within. I have come into a sphere of self-reflection, absolution, resurrection, a knowing-feeling that I have completed some life cycles. Circles are closing, and endings are making way for new beginnings. Questing, intuition guiding me. 
 
As far as my writing goes, on the surface it might look like I’m not writing. I don’t have any new work to share with my Friday morning writers group. The rough draft of my new memoir is in ragged pieces, like the bits of broken seashells that wash up on the sand. As of this moment it’s not yet a manuscript. My pages are like those seashell pieces not yet formed into a mosaic. 
 
Truth to tell, it only appears that I’m not writing. Fact is, I’m doing my pre-writing. Wandering in my mind, in my dreaming mode. I’m an open channel, connecting with the feeling space that wakes up the story inside me. I always know when it begins to happen. I feel a shift when I touch base with my writing, a current pulling me out to sea.
When you write, you lay out a line of words. The line of words is a miner’s pick, a wood-carver’s gouge, a surgeon’s probe. You wield it, and it digs a path you follow. Soon you find yourself deep in new territory. Is it a dead end, or have you located the real subject? You will know tomorrow, or this time next year. —Annie Dillard


We Who Walk the Seven Ways is Terra Trevor’s memoir about seeking healing and finding belonging. After she endured a difficult loss, a circle of Native women elders embraced and guided Trevor (mixed-blood Cherokee, Lenape, Seneca, and German) through the seven cycles of life in Indigenous ways. Over three decades, these women lifted her from grief, instructed her in living, and showed her how to age from youth into beauty. 

With tender honesty, Trevor explores how every ending is always a beginning. Her reflections on the deep power of women’s friendship, losing a child, reconciling complicated roots, and finding richness in every stage of life show that being an American Indian with a complex lineage is not about being part something, but about being part of something. 

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“Terra Trevor’s memoir is a gentle invitation to journey with her across decades, an invitation to notice with her as she seeks healing and finds belonging. There were phrases and sentences I underlined, places where I wept, passages that will remain with me as they drew me to insights I’d previously struggled to name. I closed the final pages and knew that in reading this book, I had been the recipient of a generous and much-needed gift. While I can certainly finish a book in a day, I chose to move slowly through this one, letting each idea, each paragraph, each reflection gently spill over me, allowing the pages to alter me in some way.” —Patrice Gopo, author of Autumn Song: Essays on Absence

 "Terra Trevor’s Pushing up the Sky is a revelation of the struggles and triumphs packed into the hyphens between Korean and Native American and American. From her, we learn that adoption can best be mutual, that the adoptive parent needs acculturation in the child’s ways. With unflinching honesty and unfailing love, Trevor details the risks and heartaches of taking in, the bittersweetness of letting go, and the everlasting bonds that grow between them all. With ‘Pushing up the Sky’, the ‘literature of adoption’ comes of age as literature, worthy of an honored place in the human story." —Robert Bensen, editor of Children of the Dragonfly: Native American Voices on Child Custody and Education