You can go home again. I just returned from the legendary Santa Barbara Writers Conference where I led a two-day creative nonfiction writing workshop. I lived in Santa Barbara for forty-three years and I have a long history with the Writers Conference. First as a conference attendee for many years, followed by more years on the Writers Conference volunteer staff. It was a lot of fun, and a lot of hard work. I enjoyed giving back. This conference raised me, and I’ve had the opportunity to be around decades of the best writing teachers and some of the best writers on the planet. Back in the 1990s Charles Schulz, Ray Bradbury and Alex Haley were often around. Authors Barnaby Conrad and Bill Downey, Santa Barbara Writers Conference founders and workshop leaders, were pivotal in teaching me to write. In my mind I can hear them today, reminding me, if you can write two tight pages, you can write three hundred.
The Writing Life: Santa Barbara Writers Conference
With tender honesty, Trevor explores how every ending is always a beginning. Her reflections on the deep power of women’s friendship, losing a child, reconciling complicated roots, and finding richness in every stage of life show that being an American Indian with a complex lineage is not about being part something, but about being part of something.
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“Terra Trevor’s memoir is a gentle invitation to journey with her across decades, an invitation to notice with her as she seeks healing and finds belonging. There were phrases and sentences I underlined, places where I wept, passages that will remain with me as they drew me to insights I’d previously struggled to name. I closed the final pages and knew that in reading this book, I had been the recipient of a generous and much-needed gift. While I can certainly finish a book in a day, I chose to move slowly through this one, letting each idea, each paragraph, each reflection gently spill over me, allowing the pages to alter me in some way.” —Patrice Gopo, author of Autumn Song: Essays on Absence


