Turning Seventy in the Year of the Rabbit

On April 10, 2023 I wandered through City Lights Bookstore in San Francisco, searching for home. Books are a home I carry within. I found many titles I wanted to read, later, on a different day, next week or next month. But I couldn't find anything I could read right now. I roamed the basement, taking in row after row of books, and then I found it, Year of the Monkey by Patti Smith. 
 
That night, the eve of my seventieth birthday I went to bed early, reading. On page 76 in the Year of the Monkey, I read. “Across America one light after another seemed to burn out. The oil lamps of another age flickered and died. The sign was silent, but the book on my night table beckoned. Marcus Aurelius. I opened his Meditations: Do not act as if you had ten thousand years to live…

This made terrible sense to me, climbing the chronological ladder, approaching my seventieth year. Get a grip, I told myself, just revel in the last seasons of being sixty-nine. Staring at my image on the mercurial surface of the toaster, I noticed I looked young and old simultaneously. Marcus Aurelius asks us to note the passing of time with open eyes. Ten thousand years or ten thousand days, nothing can stop time.

Seventy. Merely a number but one indicating the passing of a significant percentage of the allotted sand in an egg timer, with oneself the darn egg. I am no longer a fast runner and that my sense of time seems to be accelerating. I do what I can to augment this recurring image in my favor, even replacing the egg timer with a crystal hourglass passing the dust of ground marble, such as the type found in the small wooden study of St. Jerome or the workshop of Albrecht Dürer. Even as there is most likely some finite principle concerning the rate that sand passes through an hourglass, no advantage in having a stately glass or more perfect grains. Since contemplating Marcus, I try to be more aware of the passing hours, that I might see it happen, that cosmic shift from one digit to another.” Patti Smith, Year of the Monkey
 
I am aware of the passing hours, I feel them happening, and I feel happy. Content in my body, aging, living. What a great gift. I feel that cosmic shift from one digit to another. One morning I will drink my last cup of coffee after a night of dreaming my last dream. I feel the ocean tides as they answer the moon.

Long walks are my mediation and prayer. Gratitude. Center down. Mindful. Take care of yourself everyone says to me. I am. And I have the words from my good friends to remind me, the women with the grandmother faces walking the seven ways. How they made me laugh, and told me the truth even when it was hard for me to listen. The wise words of the women who over three decades, lifted me from grief, instructed me in living, and showed me how to age from youth into beauty. Sage down, prayer up. Like a river stone in the raging water, I feel those rough spots I’ve yet to shed, begin to soften.
When you write, you lay out a line of words. The line of words is a miner’s pick, a wood-carver’s gouge, a surgeon’s probe. You wield it, and it digs a path you follow. Soon you find yourself deep in new territory. Is it a dead end, or have you located the real subject? You will know tomorrow, or this time next year. —Annie Dillard


We Who Walk the Seven Ways is Terra Trevor’s memoir about seeking healing and finding belonging. After she endured a difficult loss, a circle of Native women elders embraced and guided Trevor (mixed-blood Cherokee, Lenape, Seneca, and German) through the seven cycles of life in Indigenous ways. Over three decades, these women lifted her from grief, instructed her in living, and showed her how to age from youth into beauty. 

With tender honesty, Trevor explores how every ending is always a beginning. Her reflections on the deep power of women’s friendship, losing a child, reconciling complicated roots, and finding richness in every stage of life show that being an American Indian with a complex lineage is not about being part something, but about being part of something. 

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“Terra Trevor’s memoir is a gentle invitation to journey with her across decades, an invitation to notice with her as she seeks healing and finds belonging. There were phrases and sentences I underlined, places where I wept, passages that will remain with me as they drew me to insights I’d previously struggled to name. I closed the final pages and knew that in reading this book, I had been the recipient of a generous and much-needed gift. While I can certainly finish a book in a day, I chose to move slowly through this one, letting each idea, each paragraph, each reflection gently spill over me, allowing the pages to alter me in some way.” —Patrice Gopo, author of Autumn Song: Essays on Absence

 "Terra Trevor’s Pushing up the Sky is a revelation of the struggles and triumphs packed into the hyphens between Korean and Native American and American. From her, we learn that adoption can best be mutual, that the adoptive parent needs acculturation in the child’s ways. With unflinching honesty and unfailing love, Trevor details the risks and heartaches of taking in, the bittersweetness of letting go, and the everlasting bonds that grow between them all. With ‘Pushing up the Sky’, the ‘literature of adoption’ comes of age as literature, worthy of an honored place in the human story." —Robert Bensen, editor of Children of the Dragonfly: Native American Voices on Child Custody and Education