Tarot Tuesday and Journal Writing


A few years ago, a writer-friend planned to dedicate Tuesdays to writing about the Tarot on her blog. She was going to use the imagery of the cards to assist with going deeper into writing projects. She wanted to address creative blocks, dialogue, character development, backstory, setting, plot and poetry, and whatever else developed over time. 

I waited and waited but Tarot Tuesday did not continue. Instead, my friend’s writing-life grew wild with deadlines for books soon to be published, her husband became ill, and her blog simmered in the background of her life. 

Still, that one blog post from my friend was enough to get me interested in Tarot. I knew that my friend had studied Tarot extensively and is considered to be a person of knowledge and experience within the circles where Tarot is respected. But I was slow to jump in. All right, I will admit it. There was a time long ago when I questioned the cards. Something certainly not to be taken seriously. Add this to the fact that as person who is very traditional in my Cherokee, Lenape, Seneca beliefs, the Tarot did not seem to have a place in my life. But I’m open to having fun with Astrology (The Moon in Pisces with an Appetite Risingso why not Tarot? 

A few weeks after the idea of learning more popped into my mind, I took a leap of faith and asked another friend who seemed like she might be open to Tarot. Turns out she had much knowledge. I’d known her for years, but she had never mentioned it. She invited me over for tea (pre-Covid) and also invited her close friend who has extensive Tarot experience and knowledge. Thus, my learning began. 
 
What I have also discovered is how much Journal Writing and Tarot complement each other. This opened the door for me to continue learning, and I'm now a believer. I'm not sure how Tarot cards works, only that it does work. I'm finding that for my personal life and within my writing life, I always pull cards in tune with where I am in my life. 
 
Tarot Tuesday by my friend Patricia 
Getting Started: First rule. I have only one rule I hold myself to, I do my best to let go of any meanings I have ascribed to the card so I can approach things with fresh eyes and beginner's mind. I usually pull only one card to get started. Though you could add another card or two. Please remember there is no wrong or right way. 

To get things flowing I begin by fanning the cards out facedown. I take my time picking one that “feels right.” Then, I get started writing which consists of describing the card in as much detail as possible. Notice the colors. Consider the landscape, the position of the characters and buildings. Is there more than one person? If so, what might they be saying to each other? Jot everything down—even random thoughts and follow where your instincts want to take you. 

Also notice how the card makes you feel. What does it evoke? 

Free write for a set amount of time—ten, fifteen minutes, or longer if you are engaged. Example: For today’s post I pulled the Queen of Swords. After describing everything I could about the card I sat quietly with the image to see if any memories or insight might surface. When nothing came, I began to ask questions. The questions I asked were ones that popped into my head in the moment. Here are a few that came up for me. Feel free to use them for writing prompts if you like. What does the landscape look like around her? What does it look like further out—in the places I can’t see? What is she protecting? Am I protecting something in my own life? (This is where a shift happened and I realized why I was blocked). If so what and why? I find it helps to turn the lens both inward and outward when wanting to go deeper. I usually do this after I have gone further into the process. 

TIP: It helps to keep checking in with your body and how you are experiencing the imagery. Your body can give you a lot of information. I discovered thru this process that what I am writing about (I am working in the genre of memoir) has a lot of emotions attached. I put up a protective barrier and it has created a block. So, the next questions I asked myself were: Can I put down my sword? Is it emotionally safe to do so? Can I create enough emotional distance from this part of my story without needing to be so guarded? 

Can I maintain its energy if I pull back a bit? Is there another way to tell the story? A more effective way? I will explore this further on my own but recognizing why I was blocked in the first place was extremely helpful. Depending on what else surfaces I may create a small ritual around letting go or add a mantra and breath work to my daily practice or it might be as simple as naming the block. Sometimes that is all it takes to get things flowing. Not everything needs to be a huge revelation in order to be helpful. 

Patricia said these exercises work well for seasoned Tarot readers and for people with no prior knowledge of the cards who just want assistance with their writing process, and in their personal lives. She signed her post by saying, "I look forward to sharing more on Tarot next Tuesday."

Except there never was another Tarot Tuesday post on her blog. However, I've discovered maybe I don’t need more. This one post gives me everything I need to explore and find what is lurking inside my subconscious, and it’s proving to give me fertile soil to write from, and to record my thoughts in my journal.
When you write, you lay out a line of words. The line of words is a miner’s pick, a wood-carver’s gouge, a surgeon’s probe. You wield it, and it digs a path you follow. Soon you find yourself deep in new territory. Is it a dead end, or have you located the real subject? You will know tomorrow, or this time next year. —Annie Dillard


We Who Walk the Seven Ways is Terra Trevor’s memoir about seeking healing and finding belonging. After she endured a difficult loss, a circle of Native women elders embraced and guided Trevor (mixed-blood Cherokee, Lenape, Seneca, and German) through the seven cycles of life in Indigenous ways. Over three decades, these women lifted her from grief, instructed her in living, and showed her how to age from youth into beauty. 

With tender honesty, Trevor explores how every ending is always a beginning. Her reflections on the deep power of women’s friendship, losing a child, reconciling complicated roots, and finding richness in every stage of life show that being an American Indian with a complex lineage is not about being part something, but about being part of something. 

University of Nebraska Press | Barns & Noble| Bookshop & IndieBound Amazon

“Terra Trevor’s memoir is a gentle invitation to journey with her across decades, an invitation to notice with her as she seeks healing and finds belonging. There were phrases and sentences I underlined, places where I wept, passages that will remain with me as they drew me to insights I’d previously struggled to name. I closed the final pages and knew that in reading this book, I had been the recipient of a generous and much-needed gift. While I can certainly finish a book in a day, I chose to move slowly through this one, letting each idea, each paragraph, each reflection gently spill over me, allowing the pages to alter me in some way.” —Patrice Gopo, author of Autumn Song: Essays on Absence

 "Terra Trevor’s Pushing up the Sky is a revelation of the struggles and triumphs packed into the hyphens between Korean and Native American and American. From her, we learn that adoption can best be mutual, that the adoptive parent needs acculturation in the child’s ways. With unflinching honesty and unfailing love, Trevor details the risks and heartaches of taking in, the bittersweetness of letting go, and the everlasting bonds that grow between them all. With ‘Pushing up the Sky’, the ‘literature of adoption’ comes of age as literature, worthy of an honored place in the human story." —Robert Bensen, editor of Children of the Dragonfly: Native American Voices on Child Custody and Education