Year of Change

It has been one year since I last gathered with anyone and the tangled forest within me has grown wilder. Today I’m remembering the memoir writing workshop scholarship I was awarded last year in late January 2020, from a writing teacher who could see into my soul, understood what I most needed. She gifted me two full days of discovering, learning and gathering with other writers, new friends I fell in love with and I never saw them again because COVID arrived. 

A few days later in February 2020 I gathered with my friends in the Native community, and Joy Harjo was our guest of honor. A beautiful day at our nearby University with the Native Students, a place I frequent. Laughter, relaxed conversation, prayer, ceremony, outside on the grass, with the trees and birds on a sunny afternoon. The Coronavirus was not on our mind. It was out there, we were well aware, but it wasn’t here, not yet. Later that evening Joy played her music for us and she read to us. The student lounge was filled with Native people, all of them my friends, Native students and the Elders, and I was comforted with our common Indigenous bond, our shared essence, with the jokes that didn’t need explaining. It was a good day to be alive. 
 
The memoir writing workshop and the gathering with Joy and my friends was the last time I gathered with people. And now it is February 2021 and we are still at home, always at home because the Coronavirus continues to spread rapidly where we live in California. It means that I have been hunkering down at home for some time now. 
 
I’m OK, making peace with what is and I’m holding space for those who are feeling too isolated, sad, with too much time alone. Holding space for the pain they are feeling. Holding space for those who are now unhoused, for those who are hungry, ill or suffering and have lost their heart. 

Yet for me, solitude has been my friend. I needed time to write, to read. Time to be alone and silent and process the whole of my life. I listen to the wind at dawn. The wind comes up from the west, smelling cool, like wet clay washed smooth by rainwater. Wind tangles against the foothills and I’m like the wind blowing wild through a tangled forest. 
 
“She is a wild, tangled forest with temples and treasures concealed within.” ―John Mark Green
When you write, you lay out a line of words. The line of words is a miner’s pick, a wood-carver’s gouge, a surgeon’s probe. You wield it, and it digs a path you follow. Soon you find yourself deep in new territory. Is it a dead end, or have you located the real subject? You will know tomorrow, or this time next year. —Annie Dillard


We Who Walk the Seven Ways is Terra Trevor’s memoir about seeking healing and finding belonging. After she endured a difficult loss, a circle of Native women elders embraced and guided Trevor (mixed-blood Cherokee, Lenape, Seneca, and German) through the seven cycles of life in Indigenous ways. Over three decades, these women lifted her from grief, instructed her in living, and showed her how to age from youth into beauty. 

With tender honesty, Trevor explores how every ending is always a beginning. Her reflections on the deep power of women’s friendship, losing a child, reconciling complicated roots, and finding richness in every stage of life show that being an American Indian with a complex lineage is not about being part something, but about being part of something. 

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“Terra Trevor’s memoir is a gentle invitation to journey with her across decades, an invitation to notice with her as she seeks healing and finds belonging. There were phrases and sentences I underlined, places where I wept, passages that will remain with me as they drew me to insights I’d previously struggled to name. I closed the final pages and knew that in reading this book, I had been the recipient of a generous and much-needed gift. While I can certainly finish a book in a day, I chose to move slowly through this one, letting each idea, each paragraph, each reflection gently spill over me, allowing the pages to alter me in some way.” —Patrice Gopo, author of Autumn Song: Essays on Absence

 "Terra Trevor’s Pushing up the Sky is a revelation of the struggles and triumphs packed into the hyphens between Korean and Native American and American. From her, we learn that adoption can best be mutual, that the adoptive parent needs acculturation in the child’s ways. With unflinching honesty and unfailing love, Trevor details the risks and heartaches of taking in, the bittersweetness of letting go, and the everlasting bonds that grow between them all. With ‘Pushing up the Sky’, the ‘literature of adoption’ comes of age as literature, worthy of an honored place in the human story." —Robert Bensen, editor of Children of the Dragonfly: Native American Voices on Child Custody and Education