The Heart’s Resilience

At age sixteen I began writing in a journal. The first entry tells of going to the Rose Parade on New Years Eve in 1969, with Jimmy, we were juniors in high school. It felt brazen to cuddle all night in a sleeping bag on the street corner, waiting.  But what we found together was friendship, both of us, not romance. 

On March 24 I wrote, “Yippee, Luke came over.” That night Jimmy came over too and my friend Sherry was with him, they had begun going out. We double dated, finishing at Houdini’s Castle in the Hollywood hills. The caretaker’s hot breathed dogs met us ten feet from the mansion, snarling. Luke grabbed my hand, we ran fast, my fingernails gripping into his palm. 

Luke thought I was special, it showed in his eyes, but he kept me guessing. He’d arrive at my house unannounced; we fell into a long day lasting into the night. Then for the next few days or a week he stayed away, never calling, and then he’d drop by again. Thrilled and demoralized, to keep my heart locked away from him I dated others, lots of others. Luke didn’t date anyone. 

March 121971, I wrote, “Had a wreck.” It means Jimmy and I ditched school to go skiing, got into a car wreck, rolled his VW. Almost getting killed together gave us a sturdy bond. In friendship I was kind of hoping he would ask me to the Senior Prom. He didn’t, he asked my friend Peggy. So I asked my friend Michael to go with me. 

In the fall Luke began film school at Cal Arts. I left for college and began perfecting my dating career until I met Richard. He had shoulder length black hair and smelled of Patchouli. We slept together for my first time. July 8 is the day I got pregnant. Code words record this in my journal.

Jump cut. July 1973 tells of moving to a cabin in the mountains where I lived alone all summer. Luke visited once. The day is logged only by a drawing of a yellow sun. I remember my brown bikini, my darker brown skin. Luke’s eyes, skimming my stomach, his hands, never touching me. By now we both resisted a romance together, biting down hard, refusing attraction or despair and became “best friends” in a minefield of platonic love.

My last journal entry is dated December 1973. It says my parents divorce was final. Our family home was sold. My dog went to live with the neighbors. I got a full time job and moved into a crummy apartment. Couldn't manage full time work and school, dropped out of college. I was twenty years old.

The following year I met Glenn. Glossy, springy hair, deepening chestnut in winter, brown-gold in summer, changeable like his personality. He opened his life to me, a fixation of love soaring high, crashing low. Three years later we married.

I read my journal for the first time in 1991. My husband and I had been married for fifteen years, and our seven-year-old son had a brain tumor. Luke was still one of my best friends and I still had to reach into that field of mysterious distance to find him.

The morning I sat in the sun, reading my old journal, it was as if my skull cracked open, spilling out my memories. They stuck to me like lint on a black dress. 

I let the incredible twisting ropes untie in my mind, my heart blared open and for hours I cried. Everyone thought the undertow dragging me down, scrapping me along the bottom, was my son’s brain tumor and most of it was. Yet the years between 1970 and 1973 had stopped around me, like a scene held in a snowy globe.

This is a true story. Names have been changed to protect the innocent. 
When you write, you lay out a line of words. The line of words is a miner’s pick, a wood-carver’s gouge, a surgeon’s probe. You wield it, and it digs a path you follow. Soon you find yourself deep in new territory. Is it a dead end, or have you located the real subject? You will know tomorrow, or this time next year. —Annie Dillard


We Who Walk the Seven Ways is Terra Trevor’s memoir about seeking healing and finding belonging. After she endured a difficult loss, a circle of Native women elders embraced and guided Trevor (mixed-blood Cherokee, Lenape, Seneca, and German) through the seven cycles of life in Indigenous ways. Over three decades, these women lifted her from grief, instructed her in living, and showed her how to age from youth into beauty. 

With tender honesty, Trevor explores how every ending is always a beginning. Her reflections on the deep power of women’s friendship, losing a child, reconciling complicated roots, and finding richness in every stage of life show that being an American Indian with a complex lineage is not about being part something, but about being part of something. 

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“Terra Trevor’s memoir is a gentle invitation to journey with her across decades, an invitation to notice with her as she seeks healing and finds belonging. There were phrases and sentences I underlined, places where I wept, passages that will remain with me as they drew me to insights I’d previously struggled to name. I closed the final pages and knew that in reading this book, I had been the recipient of a generous and much-needed gift. While I can certainly finish a book in a day, I chose to move slowly through this one, letting each idea, each paragraph, each reflection gently spill over me, allowing the pages to alter me in some way.” —Patrice Gopo, author of Autumn Song: Essays on Absence

 "Terra Trevor’s Pushing up the Sky is a revelation of the struggles and triumphs packed into the hyphens between Korean and Native American and American. From her, we learn that adoption can best be mutual, that the adoptive parent needs acculturation in the child’s ways. With unflinching honesty and unfailing love, Trevor details the risks and heartaches of taking in, the bittersweetness of letting go, and the everlasting bonds that grow between them all. With ‘Pushing up the Sky’, the ‘literature of adoption’ comes of age as literature, worthy of an honored place in the human story." —Robert Bensen, editor of Children of the Dragonfly: Native American Voices on Child Custody and Education